It’ been a while since I last posted here.
Too busy to maintain blogs (http://nomadphotography.com.au/blog) and website (http://www.nomadmodels.com.au) but also with wedding album design and photo shoots, I barely had time to do anything else.
Anyway, time to get back to the keyboard for some typing and posting.
To start with, I’ll have a bit of an insight regarding gears as I have been shooting with some new toys for the last couple months now.
In the bag I have:
- Canon 5D Mark II
- Canon 7D
- Canon 1D Mark IV
While the first two cameras are not the hottest cameras at the moment, I confess that I haven’t touched my 7D since I had the Canon 1D Mark IV.
I can shoot a whole wedding with this camera and the Canon EF 24-70 f/2.8 L.
When I can see the reason why Canon maintains its x1.3 crop sensor I tend to use less and less the full frame of my Canon 5D Mark IIs (I have two of them)
Having the Nikon D700 and the exciting Nikon D3s, I found in the new release Nikkor 16-35 f/4 VR an exciting piece of glass but I didn’t feel the need to buy it.
Why did Nikon build this lens? Is it to compete with teh Canon 16-35 f/2.8 L II or is it just to have one?
As mentioned above, putting the 16-35 f/2.8 L II on my Canon 5D Mark II body and the 24-70 f/2.8 L on the Canon 1D Mark IV, I have virtually no gap in my focal range from 16mm to 94mm FF equivalent.
Not that Nikon doesn’t have a crop sensor in its range of D-SLR but because they have the excellent 14-24 f/2.8 to complement the 24-70 f/2.8 and the 70-200 f/2.8.
Having these 3 awesome lenses with my two Nikon bodies, there is no need for me to buy that Nikkor 16-35 even if it has VR. Note also that at this focal range and on full frame bodies, you almost never need VR anyway.
below are a few images from recent shoots with the above discussed cameras.

Tags: Canon 5D Mark II, Canon 5D Mk II, Canon 7D, Nikkor 14-24, Nikon D3s, Nikon D700
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